Photo reblogged from Nanozen with 5 notes
::
Andy Warhol & members of The Factory
(Gregory Markopoulos, Taylor Mead, Gerard Malanga, Jack Smith)
New York City, 1963.
Photo: Dennis Hopper
Photo with 3 notes
Taylor Mead with a giant stuffed teddy bear in a wagon riding down a San Francisco hill in Ron Rice’s The Flower Theif
Photo reblogged from Experimental Cinema with 42 notes
Jonas & Adolfas Mekas
Source: lottereinigerforever
Photo with 16 notes
An original Flyer of Film-makers’ Cinematheque Feb 22, 1965 program of The Art of Vision.
Photo reblogged from ANTHOLOGY FILM ARCHIVES JOURNAL with 29 notes
vsw:
Announcement for 1977 Stan Brakhage film screenings at Anthology Film Archives
from the Visual Studies Workshop Archive
!
Source: vsw
Photo reblogged from unbearable vision with 756 notes
Three by James Herbert, 1974
Source: frenchtwist
Photoset reblogged from anxia imago with 132 notes
“flowers for marie menken”, from walden: diaries notes and sketches, jonas mekas, 1969
Photo reblogged from HEXAHEDRA with 8 notes
hacialaposibilidaddesmesurada:
30 Minutes in July (1976) by Gary Beydler
Grid of sixteen 4 x 6 in. color prints mounted on mat board; 25 x 31 in
_
Found at Maderapatio
Source: hacialaposibilidaddesmesurada
Photo with 32 notes
Robert Breer on Riding Float, c. 1971-72. (via Archives of American Art Journal, Vol. 13, No. 4)
Photo reblogged from Blazing Nitrate with 54 notes
![jodema:
Flaming Creatures (Jack Smith, 1963)
“[Jack Smith] has graced the anarchic liberation of new American cinema with graphic and rhythmic power worthy of the best of formal cinema. He has attained for the first time in motion pictures a high level of art which is absolutely lacking in decorum; and a treatment of sex which makes us aware of the restraint of all previous filmmakers. He has shown more clearly than anyone before how the poet’s license includes all things, not only of spirit, but also of flesh; not only of dreams and of symbol, but also of solid reality. In no other art but the movies could this have so fully been done; and their capacity was realized by Smith.” - Film Culture](http://24.media.tumblr.com/tumblr_mccoridklF1qzxttzo1_500.jpg)
Flaming Creatures (Jack Smith, 1963)
“[Jack Smith] has graced the anarchic liberation of new American cinema with graphic and rhythmic power worthy of the best of formal cinema. He has attained for the first time in motion pictures a high level of art which is absolutely lacking in decorum; and a treatment of sex which makes us aware of the restraint of all previous filmmakers. He has shown more clearly than anyone before how the poet’s license includes all things, not only of spirit, but also of flesh; not only of dreams and of symbol, but also of solid reality. In no other art but the movies could this have so fully been done; and their capacity was realized by Smith.” - Film Culture
Photo with 17 notes
Adolfas Mekas (left) and Jonas Mekas during the shooting of Guns of the Trees, 1961. (via October, Vol. 29, Summer 1984))
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